When we were putting the doc together I realized that I really want to shoot a movie on High-Def Video. I like the look of it so much, it just looks like film, but when you blow it up, it's a little grainy and it reminded me of working in 16mm. It's kind of the 16mm of today. So, right away when I saw the first interview footage, I was like 'Oh God, I want to make a movie in this!' It's cheap, light weight, and I know people at Panasonic pretty well. We could get a bunch of cameras to shoot, we could get five cameras rolling and shit. So right away, I was like 'I want to make a $250K movie.'Kevin Smith, hablando de su documental The Snowball Effect, incluído en el DVD de décimo aniversario de Clerks.
26.8.04
Kevin Smith:
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